Watch this trailer, with Rick Rubin and Paul McCartney. Here, Rubin did something more amazing: he showed McCartney new aspects of the Beatles’ creations. The conversations took place at a recording studio mixing desk, where Rubin, like God from Genesis who has really let himself go, has created many new sound worlds. Rubin, at least, managed to look surprised. Every cough, spit and used Kleenex of McCartney’s career is now a monetisable part of the public domain.
PAUL MCCARTNEY DOCUMENTARY TV
There’s a piccolo trumpet on Penny Lane because the night before the Beatles recorded it, he watched a TV broadcast of Bach’s Brandenburg Concertos. Sgt Pepper got his name because McCartney misheard a roadie on a plane asking him to pass the salt and pepper. McCartney is 79 and Rubin 21 years younger, but the charm of these six amiable half-hour rambles through the Beatle’s songbook (Disney +) arose from the lavishly bearded producer and co-founder of Def Jam Recordings looking like an indulgent patriarch listening to his prodigal son’s improbable adventures.ĭear Prudence, McCartney disclosed, was inspired by Mia Farrow’s sister who was in the next chalet at the Maharishi Mahesh Yogi’s meditation course in India. Only six years after Thinking of Linking, the Beatles had the first of 20 US number ones with Love Me Do. Armed with fish fingers, Ambrosia and bravura appropriations of American popular song, England came for your daughters, Uncle Sam, and to a lesser extent your sons. It reminded me of the time David Byrne, of Talking Heads, asked an English interviewer: “What are fish fingers? Are they some sort of secret weapon?” In a way they are. The idea paid off, with Paul incorporating the duet into his worldwide Got Back tour as well as his recent Glastonbury Festival headline set.Rubin must have been wondering how these limey yokels with their canned slop would within a few years mount the most extraordinary reverse cultural takeover of his homeland.
He continued: "Within 10 minutes, he replied to me: ‘Yeah, this is a fantastic idea let’s go do it.’ Then it was a frantic rush to restore frames that were missing from that long shot of John from Let It Be. I didn’t send him the mockup version, just a text trying to describe it to him." "Finally, I thought, ‘I’m going to regret this for the rest of my life if I don’t even suggest it.’ I sent him a text. I thought, ‘Suggesting to Paul that he sing onstage with John, he’s going to think I’m a fanboy geek idiot.’"īut eventually after Paul started touring post-pandemic, Jackson mustered the courage to approach him: The shots have to be right" said Jackson. “We had access to all that footage, and to do something like that, you need the footage.
PAUL MCCARTNEY DOCUMENTARY MOVIE
Teasing a live-action movie using pre-existing footage will likely expand on the editing process for The Beatles' rooftop performance of ' I Got A Feeling'.Ī project born of pure fandom, Jackson isolated John Lennon's vocal with the intention of getting Paul to be able to duet him with virtually. The Beatles' rooftop concert is one of the most famous performances of all time. I’m trying to anticipate what I might be able to do, before it even exists." “It’s a live-action movie, but it needs technology that doesn’t quite exist at the moment, so we’re in the middle of developing the technology to allow it to happen. “One of them could be big scale, but it’s so technically complicated I’m trying to work how exactly I’ll do it,” Jackson said. So he's developing new technology himself. It was a labour of love for over four years, but clearly hasn't diminished his love of the iconic band.īut according to the Lord Of The Rings director, his new film with Macca and Ringo will test the limits of current technology. Get Back was the culmination of a pain-staking process to edit over 57 hours of video footage from the original 1970 documentary Let It Be, directed by Michael Lindsay-Hogg.
0 kommentar(er)
